Ken Patera performed a variation he called the Swinging Neckbreaker (not to be confused with the neckbreaker variation), where he would lock the hold on and lift the opponent off the ground, then spin them in the air. Usually performed on a charging opponent, this can also be a transition hold for counterattacks that sees the wrestler hit many throws and drops like a DDT or headscissors takedown. This move can be used as a submission hold or can be used for a neckbreaker slam, or a facebuster takedown. The move was also popularized in the States by Sting, who called the hold the Scorpion Death Lock and applied the hold from a seated position. With the opponent lying face down, the wrestler sits beside the opponent, facing the same way, locks on the cobra clutch, and then arches their legs and back, bending the opponent's torso and neck upwards. Yuji Nagata first popularized this move named the Nagata Lock III as an evolution of his previous hold, the Nagata Lock II, a crossface submission. As The wrestler approaches the opponent who is lying face-down. The neck is squeezed inside the arm very tightly. Unfavorite. The attacking wrestler tucks the opponent's head underneath their armpit and wraps one arm around the neck so that the forearm is pressed against the throat, as in a front chancery. This neck crank sees the wrestler wrap both hands around the opponent's face and pull back, which applies pressure to the neck and shoulder area. Professional wrestling holds include a number of set moves and pins used by performers to immobilize their opponents or lead to a submission. The wrestler wraps their arms around the head and one arm of the opponent and squeezes, choking the opponent. Charlotte Flair uses this move to set up for the Figure Eight Leglock. Big Show uses a kneeling variation of this move called the Colossal Clutch. The wrestler sits on either side of an opponent who is lying either prone or supine on the mat, with the wrestler's legs scissoring one of the opponent's arms. Invented by The Great Muta,[9][10] this move has been adapted and performed by various wrestlers such as Melina Perez (California Dream) and Emma (Emma Lock) as finishing moves, signature moves, and setups to finishers. The wrestler first straddles one of the opponent's legs, then reaches over the opponent's near arm with the arm close to the opponent's back and locks it. Do the following while maintaining a hold of his right ankle: Push your Hell, hes cool with it. From that point, the wrestler can apply other holds to the opponent, such as a fujiwara armbar or a three-quarter facelock. Lance Storm also performs this move with both versions, including the regular Boston crab and single-leg Boston crab. The wrestler then performs a forward roll while maintaining the hold. With one hand the wrestler will grab either the toes or the outside of the foot, then with the other wrap the ankle to create a "hole" for the joint. The wrestler lifts their opponent up so they are horizontal across the wrestler's body. Rolando Vera was credited with inventing the move. Often at times, this move can be confused with a side headlock. Tyson Kidd formerly used this move. Though this is an often-used rest hold, it is also sometimes the beginning of a standard bulldog move. This variation is the most famous version, invented by Buddy Rogers and popularized by Ric Flair, and is also the finisher of choice for several wrestlers like Greg "The Hammer" Valentine, "The American Dream" Dusty Rhodes, The Miz, AJ Styles, Jeff Jarrett, Tito Santana, Jack Brisco, Gerald Brisco, and The Silent Warrior. The wrestler grasps an opponent's neck with both hands then lifts them up. An inverted version of the cravate is used by Chris Hero as part of his "Hangman's Clutch" submissions in which the hand positioning is the same as a normal cravate but the facelock is connected around the face of the opponent, not from behind the opponent's head, thus pulling the opponent's head backwards rather than forwards, putting significant pressure on the neck by stretching it backwards and in other directions toward which the neck would not normally bend. Often an attacking wrestler will choke, kick, or stomp the opponent until the referee uses up their five count. One of the most painful submission moves in wrestling today. This was famously used by Don Muraco as the Asiatic Spike and Terry Gordy (which he learned from Killer Khan) as the Oriental Spike. The wrestler finally takes their free arm, hooks the opponent's arm which is in the vise, and holds their opposite leg from the knee. The hold can also be applied while standing with the opponent's arms crossed across their chest or stomach held by the attacker to transition into other moves such as a suplex or an iconoclasm. The wrestler applies an inverted facelock to a seated opponent, places their far leg between the opponent's legs, and pushes their near leg's knee against the opponent's back. The wrestler then places their left arm over and around the opponent's arm while grasping their own wrist. Then, the wrestler maneuvers their other arm through the "hole" created by the opponent's bent wrist, locks their hand upon their own wrist, and pulls the opponent forward, causing pressure on the opponent's arm and neck. Nicknamed the Stu-Lock, in honor of Stu Hart who used the move, the wrestler approaches a prone opponent from the side. The wrestler then pulls back, stretching the opponent's back, neck, and knee. The wrestler then sits on top of their opponent using their own body weight to apply pressure with the option to grab and crank back on the right leg. The wrestler approaches a prone opponent, lying down on their stomach. Jeff harDy! The omoplata can be applied from the guard, by placing one leg under the opponent's armpit and turning 180 degrees in the direction of that leg, so that the leg moves over the back of the opponent and entangles the opponent's arm. The crossface chickenwing is mostly identified with Bob Backlund, who used the hold as a finishing maneuver following his comeback to the WWF in the mid-1990s and won his second world championship using the hold. It is a neutral move, but it easily transitions for either wrestler to a position of dominance. If the referee is distracted, heel wrestlers may grab onto the ropes while executing the move to gain leverage and inflict more pain. This basic backbreaker submission involves the wrestler laying the opponent's back across one knee, then, while placing one hand on the opponent's chin and the other on their knee, the wrestler pushes down to bend the opponent around their knee. The attacker pulls up with their arm while forcing the victim's wrist down with their leg and applies pressure to the victim's elbow. These are usually activated when an opponent is on the ground, either utilizing the legs or upper body. The two-handed version sees the wrestler use both hands and is sometimes referred to as a " chancery", "side head chancery" and, most often, a "cravate". Randy orton is awesome. A judo submission named the reverse ude-garami, and popularly named and innovated by Masahiko Kimura, after he broke Hlio Gracie's arm with it. From here, the wrestler rolls the opponent face first onto the mat, with their legs and arms tied together, sandwiched between the mat. The wrestler then wraps their arm around the opponent's neck, pressing the biceps against one side of the neck and the inner bone of the forearm against the other side. This counter to the figure-four is often called a "modified Indian deathlock" or sometimes referred to as a "sharpshooter variant". The legs are used to control the movement of the opponent's body while the opponent's foot is twisted by holding the heel with the forearm and using the whole body to generate a twisting motion, hence creating severe medial torque on the ankle. While this can inflict pain on its own, it is most often used as a transition hold, leading into either a hammer lock, an elbow to the held arm, or kicks to the opponent's abdominal area. Joe Rogan called Ric Flair a consummate showman, as he is the one who corresponds with the Figure-four Leglock. Also known as an arm-trap triangle choke. In an illegal version of the hold, best described as a hanging figure-four necklock, the wrestler stands on top of the turnbuckle, wraps their legs around the head of the opponent (who has their back turned against the turnbuckle) in the figure-four and falls backwards, choking the opponent. In Mexico's Lucha libre this hold is known as La Torre, Spanish for "The Tower". 0.245 MB. Put AEW wrestler Jon Moxley uses this move as a finisher sometimes while taking the opponent down with and then transitioning from a sleeper hold or rear naked choke. Another variation is performed in a bridging position where the wrestler wraps both hands around the opponent's neck and pulls back, which applies pressure to the neck and bridges on the opponent's back for added leverage. The wrestler approaches an opponent lying against any set of ropes and grabs one of the opponent's wrists with their similar arm. WebBody triangle or Figure-four body lock is achieved by first crossing the ankles, grasping the heel of one foot and pulling that foot into the opposite knee, this creates the signature 4. From here many throws, drops and slams can be performed. STF is short for "Stepover Toehold Facelock". This variant has been used by Alberto Del Rio, A.J. The wrestler applies a spinning toehold, crosses the opponent's legs and kneels on them. Share. This neck lock sees a wrestler sit above a fallen opponent and wrap their legs around the opponent in the form of the figure-four, with one leg crossing under the opponent's chin and under the wrestler's other leg the wrestler squeezes and chokes the opponent. [5], The wrestler darts their hand under an opponent's chin and grabs ahold of a pressure point above the throat, squeezing the nerve. Used by Terry Funk and Dory Funk Jr., the wrestler using this move stands over the opponent who is lying face up on the mat and grasps a leg of the opponent. 5. Put your left leg over his/her left foot. 4/18/10 6:00 AM. Also known technically as the overhead gutwrench backbreaker rack or Sammartino backbreaker this sees an attacking wrestler first lift an opponent up so the opponent's back is resting on the wrestler's shoulder, with the opponent's head pointing in the direction that the wrestler is facing. The wrestler bends over with the opponent standing to the side of the wrestler. Then, the wrestler passes their other free arm through the "hole" formed by the opponent's bent arm under the biceps, and then catches the opponent's grappled wrist. The wrestler then grabs one of the opponent's arms in a stepover armlock, turning 360 so the opponent's arm is bent around the leg of the attacking wrestler. {"smallUrl":"https:\/\/www.wikihow.com\/images\/thumb\/4\/46\/Do-the-Figure-Four-Leg-Lock-Step-1.jpg\/v4-460px-Do-the-Figure-Four-Leg-Lock-Step-1.jpg","bigUrl":"\/images\/thumb\/4\/46\/Do-the-Figure-Four-Leg-Lock-Step-1.jpg\/aid624420-v4-728px-Do-the-Figure-Four-Leg-Lock-Step-1.jpg","smallWidth":460,"smallHeight":345,"bigWidth":728,"bigHeight":546,"licensing":"